A SCHOLARLY BOOK REPOSITORY1566 start with S start with S
Listen to a short interview with Joan Shelley RubinHost: Chris Gondek | Producer: Heron & Crane
In the years between 1880 and 1950, Americans recited poetry at family gatherings, school assemblies, church services, camp outings, and civic affairs. As they did so, they invested poems--and the figure of the poet--with the beliefs, values, and emotions that they experienced in those settings.
Reciting a poem together with others joined the individual to the community in a special and memorable way. In a strikingly original and rich portrait of the uses of verse in America, Joan Shelley Rubin shows how the sites and practices of reciting poetry influenced readers' lives and helped them to find meaning in a poet's words.
Emphasizing the cultural circumstances that influenced the production and reception of poets and poetry in this country, Rubin recovers the experiences of ordinary people reading poems in public places. We see the recent immigrant seeking acceptance, the schoolchild eager to be integrated into the class, the mourner sharing grief at a funeral, the grandparent trying to bridge the generation gap--all instances of readers remaking texts to meet social and personal needs. Preserving the moral, romantic, and sentimental legacies of the nineteenth century, the act of reading poems offered cultural continuity, spiritual comfort, and pleasure.
Songs of Ourselves is a unique history of literary texts as lived experience. By blurring the boundaries between "high" and "popular" poetry as well as between modern and traditional, it creates a fuller, more democratic way of studying our poetic language and ourselves.
The Vietnamese refugee experience calls attention to issues commonly raised by migration: the redefinition of group relations, the reformulation of identity, and the reconstruction of social and musical life in resettlement. Fifteen years ago, Adelaida Reyes began doing fieldwork on the musical activities of Vietnamese refugees. She entered the emotion-driven world of forced migrants through expressive culture; learned to see the lives of refugee-resettlers through the music they made and enjoyed; and, in turn, gained a deeper understanding of their music through knowledge of their lives.
In Songs of the Caged, Songs of the Free, Reyes brings history, politics, and decades of research to her study of four resettlement communities, including refugee centers in Palawan and Bataan; the early refugee community in New Jersey; and the largest of all Vietnamese communities -- Little Saigon, in southern California's Orange County.
Looking closely at diasporic Vietnamese in each location, Reyes demonstrates that expressive culture provides a valuable window into the refugee experience. Showing that Vietnamese immigrants deal with more than simply a new country and culture in these communities, Reyes considers such issues as ethnicity, socio-economic class, and differing generations. She considers in her study music of all kinds -- performed and recorded, public and private -- and looks at music as listened to and performed by all age groups, including church music, club music, and music used in cultural festivals. Moving from traditional folk music to elite and modern music and from the recording industry to pirated tapes. Reyes looks at how Vietnamese in exile struggled, in different ways, to hold onto a part of their home culture and to assimilate into their new, most frequently American, culture.
Songs of the Caged, Songs of the Free will attract the attention of readers in Asian American studies, Asian studies, music, and ethnomusicology.
"To be read for enjoyment; nevertheless, the historian will find in it a wealth of information that has been shrewdly appraised, carefully sifted, and creditably related."—Catholic Historical Review
"Of interest not only to the historian but to the geographer and anthropologist."—Pacific Historical Review
Although the significance of geographic regionalism is implicit throughout this study, no attempt is made to show any overriding unity at work, geographical or otherwise, welding together a "desert region." Instead the desert acts as a stage for social drama in which drought and extreme heat provide the essential backcloth. The scarcity of water and man's inability to grow crops without irrigation have not, indeed, changed with time, and only constant reference to this immutable factor can give meaning to the evolution of human activities within the desert.
In Sonoran Desert Journeys ecologist Theodore H. Fleming discusses two remarkable journeys. First, Fleming offers a brief history of our intellectual and technical journey over the past three centuries to understand the evolution of life on Earth. Next, he applies those techniques on a journey of discovery about the evolution and natural history of some of the Sonoran Desert’s most iconic animals and plants. Fleming details the daily lives of a variety of reptiles, birds, mammals, and plants, describing their basic natural and evolutionary histories and addressing intriguing issues associated with their lifestyles and how they cope with a changing climate. Finally, Fleming discusses the complexity of Sonoran Desert conservation.
This book explores the evolution and natural history of iconic animals and plants of the northern Sonoran Desert through the eyes of a curious naturalist and provides a model of how we can coexist with the unique species that call this area home.
The Sons of Westwood tells the story of the most significant college basketball program at a pivotal period in American cultural history. It weaves together a story of sports and politics in an era of social and cultural upheaval, a time when college students and college athletes joined the civil rights movement, demonstrated against the Vietnam War, and rejected the dominant Cold War culture. This is the story of America's culture wars played out on the basketball court by some of college basketball's most famous players and its most memorable coach.
Sophia was born into an expansive, somewhat chaotic home in which women provided financial as well as emotional sustenance. She was a precocious, eager student whose rigorous education, in her mother’s and her sisters’ schools, began her association with the children of New England’s elite. Sophia aspired to become a professional, self-supporting painter, exhibiting her art and seeking criticism from established mentors. She relished an eighteen-month sojourn in Cuba. Nathaniel’s reclusive family, his reluctant early education, his anonymous pursuit of a career, and his relatively circumscribed life contrast markedly with the experience of the woman who became his wife and the mother of his children. Those differences resulted in a creative abrasion that ignited his fiction during the first years of their marriage.
In this rich ethnographic study, Vogler reveals how different legal arenas take dramatically different approaches to classifying sexuality and use those classifications to legitimate different forms of social control. By delving into the histories behind these diverging classification practices and analyzing their contemporary reverberations, Vogler shows how the science of sexuality is far more central to state power than we realize.
Many of the movement's leading artists, including Ed Bullins, Nikki Giovanni, Woodie King, Haki Madhubuti, Sonia Sanchez, Askia Touré, and Val Gray Ward remain artistically productive today. Its influence can also be seen in the work of later artists, from the writers Toni Morrison, John Edgar Wideman, and August Wilson to actors Avery Brooks, Danny Glover, and Samuel L. Jackson, to hip hop artists Mos Def, Talib Kweli, and Chuck D.
SOS—Calling All Black People includes works of fiction, poetry, and drama in addition to critical writings on issues of politics, aesthetics, and gender. It covers topics ranging from the legacy of Malcolm X and the impact of John Coltrane's jazz to the tenets of the Black Panther Party and the music of Motown. The editors have provided a substantial introduction outlining the nature, history, and legacy of the Black Arts Movement as well as the principles by which the anthology was assembled.
Winner of the Frederick Jackson Turner Award
Winner of the John Hope Franklin Prize
Winner of the Avery O. Craven Award
Soul by Soul tells the story of slavery in antebellum America by moving away from the cotton plantations and into the slave market itself, the heart of the domestic slave trade. Taking us inside the New Orleans slave market, the largest in the nation, where 100,000 men, women, and children were packaged, priced, and sold, Walter Johnson transforms the statistics of this chilling trade into the human drama of traders, buyers, and slaves, negotiating sales that would alter the life of each. What emerges is not only the brutal economics of trading but the vast and surprising interdependencies among the actors involved.
Using recently discovered court records, slaveholders’ letters, nineteenth-century narratives of former slaves, and the financial documentation of the trade itself, Johnson reveals the tenuous shifts of power that occurred in the market’s slave coffles and showrooms. Traders packaged their slaves by “feeding them up,” dressing them well, and oiling their bodies, but they ultimately relied on the slaves to play their part as valuable commodities. Slave buyers stripped the slaves and questioned their pasts, seeking more honest answers than they could get from the traders. In turn, these examinations provided information that the slaves could utilize, sometimes even shaping a sale to their own advantage.
Johnson depicts the subtle interrelation of capitalism, paternalism, class consciousness, racism, and resistance in the slave market, to help us understand the centrality of the “peculiar institution” in the lives of slaves and slaveholders alike. His pioneering history is in no small measure the story of antebellum slavery.
After more than fifty years of hagiographic and contradictory accounts of Abraham Lincoln's life, William Barton stepped boldly into the bedlam of claims and counterclaims about Lincoln's religion. Armed with an enormous collection of Lincoln materials and his own strict evidentiary rules, Barton worked to avoid partisan politicking over Lincoln's legacy and instead to simply "lay bare the facts."
To enable a better examination of the vexed questions surrounding Lincoln's faith and religious principles, Barton gathered Lincoln's most important writing and speeches about religion, and topically and chronologically assembled testimonies by his friends, family, and associates, about the most important and most debated issues. This volume, Barton's first and most important work on Lincoln, is introduced by Michael Nelson who provides a history of the literature on Lincoln's religion, the historical context of Barton's writing, and the details of the method that made Barton's approach to this American icon such a distinctive success.
The jazz musician-composer-arranger Mary Lou Williams spent her sixty-year career working in—and stretching beyond—a dizzying range of musical styles. Her integration of classical music into her works helped expand jazz's compositional language. Her generosity made her a valued friend and mentor to the likes of Thelonious Monk, Charlie Parker, and Dizzy Gillespie. Her late-in-life flowering of faith saw her embrace a spiritual jazz oriented toward advancing the civil rights struggle and helping wounded souls.
Tammy L. Kernodle details Williams's life in music against the backdrop of controversies over women's place in jazz and bitter arguments over the music's evolution. Williams repeatedly asserted her artistic and personal independence to carve out a place despite widespread bafflement that a woman exhibited such genius. Embracing Williams's contradictions and complexities, Kernodle also explores a personal life troubled by lukewarm professional acceptance, loneliness, relentless poverty, bad business deals, and difficult marriages.
In-depth and epic in scope, Soul on Soul restores a pioneering African American woman to her rightful place in jazz history.
Young analyzes a range of U.S. figures and organizations, examining how each deployed Third World discourse toward various cultural and political ends. She considers a trip that LeRoi Jones, Harold Cruse, and Robert F. Williams made to Cuba in 1960; traces key intellectual influences on Angela Y. Davis’s writing; and reveals the early history of the hospital workers’ 1199 union as a model of U.S. Third World activism. She investigates Newsreel, a late 1960s activist documentary film movement, and its successor, Third World Newsreel, which produced a seminal 1972 film on the Attica prison rebellion. She also considers the L.A. Rebellion, a group of African and African American artists who made films about conditions in the Watts neighborhood of Los Angeles. By demonstrating the breadth, vitality, and legacy of the work of U.S. Third World Leftists, Soul Power firmly establishes their crucial place in the history of twentieth-century American struggles for social change.
Founded on Chicago’s South Side in 1965 and still thriving today, the Association for the Advancement of Creative Musicians (AACM) is the most influential collective organization in jazz and experimental music. In Sound Experiments, Paul Steinbeck offers an in-depth historical and musical investigation of the collective, analyzing individual performances and formal innovations in captivating detail. He pays particular attention to compositions by Muhal Richard Abrams and Roscoe Mitchell, the Association’s leading figures, as well as Anthony Braxton, George Lewis (and his famous computer-music experiment, Voyager), Wadada Leo Smith, and Henry Threadgill, along with younger AACM members such as Mike Reed, Tomeka Reid, and Nicole Mitchell.
Sound Experiments represents a sonic history, spanning six decades, that affords insight not only into the individuals who created this music but also into an astonishing collective aesthetic. This aesthetic was uniquely grounded in nurturing communal ties across generations, as well as a commitment to experimentalism. The AACM’s compositions broke down the barriers between jazz and experimental music and made essential contributions to African American expression more broadly. Steinbeck shows how the creators of these extraordinary pieces pioneered novel approaches to instrumentation, notation, conducting, musical form, and technology, creating new soundscapes in contemporary music.
By the folk and blues revival of the 1960s, however, when his work would again seem apt in the context of the civil rights movement, Gellert and his collection of Negro Songs of Protest were a conspicuous absence. A few leading figures in the revival defamed Gellert as a fraud, dismissing his archive of black vernacular protest as a fabrication—an example of left-wing propaganda and white interference. A Sound History is the story of an individual life, an excavation of African American musical resistance and dominant white historiography, and a cultural history of radical possibility and reversal in the defining middle decades of the U.S. twentieth century.
The Sound of Leadership answers these questions and many more. Based on analysis of nearly 10,000 presidential speeches delivered between 1945 and 1985, this book is the first comprehensive examination of the ways in which presidents Truman through Reagan have used the powers of communication to advance their political goals. This communication revolution has produced, Roderick P. Hart argues, a new form of governance, one in which public speech has come to be taken as political action. Using a rhetorical appraoch, Hart details the features of this new American presidency by carefully examining when and where presidents spoke in public during the last four decades and what they said. Even though presidents have been speaking more and more, Hart reveals, they have been saying less and less. Rather than leading the nation, the modern president usually offers only the hollow "sound" of leadership. Written with great flair and acuteness, The Sound of Leadership will become a standard guide to the voices of modern presidential politics.
Sounding for Cool is about self-transformation, about growing up on one’s own as a product of contemporary America, and about how to become not just a man, but a contributing adult in society. Donald Morrill presents the day-to-day lives of seven young men (white, black, Hispanic, immigrant, middle-class, thick-headed, poor, and smart), who for various reasons have become homeless. Placed in a Transitional Living Program facility (TLP) by the courts, these men must learn to navigate in the world of “normal” values and reasonable rules. Streetwise and callow, trained to seek shortcuts or to make excuses, they struggle with the structures and assumptions inherent in living a law-abiding, bill-paying life. While sorting out their souls, they learn how to connect with others.
In turn, Sounding for Cool scrutinizes the staff of the TLP, one woman and three men, who variously come to terms with their lives by settling accounts from the past. As a TLP volunteer, Donald Morrill often finds himself bridging the gap between staff and client. In the process of telling their stories, he chronicles his own journey to understand the past. Ultimately, Sounding for Cool asks the enduring questions, “Who am I in the world and what can I become?”
Many in the United States believe Latin American musicians make “Latin music”—which carries with it a whole host of assumptions, definitions, and contradictions. In their own countries, these expatriate musicians might generate immense national pride or trigger suspicions of “national betrayals.” The making, sounding, and hearing of “Latin music” brings into being the complex array of concepts that constitute “Latin Americanism”—its fissures and paradoxes, but also its universal aspirations. Taking as its center musicians from or with declared roots in Latin America, Jairo Moreno presents us with an innovative analysis of how and why music emerges as a necessary but insufficient shorthand for defining and understanding Latin American, Latinx, and American experiences of modernity.
This close look at the growth of music-making by Latin American and Spanish-speaking musicians in the United States at the turn of the twenty-first century reveals diverging understandings of music’s social and political possibilities for participation and belonging. Through the stories of musicians—Rubén Blades, Shakira, Arturo O’Farrill and the Afro-Latin Jazz Orchestra, and Miguel Zenón—Sounding Latin Music, Hearing the Americas traces how artists use music to produce worlds and senses of the world at the ever-transforming conjunction of Latin America and the United States.
From the Bible’s “Canst thou raise leviathan with a hook?” to Captain Ahab’s “From Hell’s heart I stab at thee!,” from the trials of Job to the legends of Sinbad, whales have breached in the human imagination as looming figures of terror, power, confusion, and mystery.
In the twentieth century, however, our understanding of and relationship to these superlatives of creation underwent some astonishing changes, and with The Sounding of the Whale, D. Graham Burnett tells the fascinating story of the transformation of cetaceans from grotesque monsters, useful only as wallowing kegs of fat and fertilizer, to playful friends of humanity, bellwethers of environmental devastation, and, finally, totems of the counterculture in the Age of Aquarius. When Burnett opens his story, ignorance reigns: even Nature was misclassifying whales at the turn of the century, and the only biological study of the species was happening in gruesome Arctic slaughterhouses. But in the aftermath of World War I, an international effort to bring rational regulations to the whaling industry led to an explosion of global research—and regulations that, while well-meaning, were quashed, or widely flouted, by whaling nations, the first shot in a battle that continues to this day. The book closes with a look at the remarkable shift in public attitudes toward whales that began in the 1960s, as environmental concerns and new discoveries about whale behavior combined to make whales an object of sentimental concern and public adulation.
A sweeping history, grounded in nearly a decade of research, The Sounding of the Whale tells a remarkable story of how science, politics, and simple human wonder intertwined to transform the way we see these behemoths from below.
Sounding Together: Collaborative Perspectives on U.S. Music in the Twenty-21st Century is a multi-authored, collaboratively conceived book of essays that tackles key challenges facing scholars studying music of the United States in the early twenty-first century. This book encourages scholars in music circles and beyond to explore the intersections between social responsibility, community engagement, and academic practices through the simple act of working together. The book’s essays—written by a diverse and cross-generational group of scholars, performers, and practitioners—demonstrate how collaboration can harness complementary skills and nourish comparative boundary-crossing through interdisciplinary research. The chapters of the volume address issues of race, nationalism, mobility, cultural domination, and identity; as well as the crisis of the Trump era and the political power of music. Each contribution to the volume is written collaboratively by two scholars, bringing together contributors who represent a mix of career stages and positions. Through the practice of and reflection on collaboration, Sounding Together breaks out of long-established paradigms of solitude in humanities scholarship and works toward social justice in the study of music.
Schieber's drawings, paintings, poetry, and prose are all intimate reflections of one another. Her experience forged the unusual sense of time that shapes Schieber's stories. In her preface, Phyllis Lassner writes: "The timetable of Ava's stories often consists of circles within circles, of patterns of an intertwined past, the past present of hiding, and the present looking back at those distinctly separate but inseparable pasts."
A sixty-year history of Afro–South Asian musical collaborations
From Beyoncé’s South Asian music–inspired Super Bowl Halftime performance, to jazz artists like John and Alice Coltrane’s use of Indian song structures and spirituality in their work, to Jay-Z and Missy Elliott’s high-profile collaborations with diasporic South Asian artists such as the Panjabi MC and MIA, African American musicians have frequently engaged South Asian cultural productions in the development of Black music culture. Sounds from the Other Side traces such engagements through an interdisciplinary analysis of the political implications of African American musicians’ South Asian influence since the 1960s.
Elliott H. Powell asks, what happens when we consider Black musicians’ South Asian sonic explorations as distinct from those of their white counterparts? He looks to Black musical genres of jazz, funk, and hip hop and examines the work of Miles Davis, John Coltrane, Rick James, OutKast, Timbaland, Beyoncé, and others, showing how Afro–South Asian music in the United States is a dynamic, complex, and contradictory cultural site where comparative racialization, transformative gender and queer politics, and coalition politics intertwine. Powell situates this cultural history within larger global and domestic sociohistorical junctures that link African American and South Asian diasporic communities in the United States.
The long historical arc of Afro–South Asian music in Sounds from the Other Side interprets such music-making activities as highly political endeavors, offering an essential conversation about cross-cultural musical exchanges between racially marginalized musicians.
Timothy D. Taylor tracks the use of music in American advertising for nearly a century, from variety shows like The Clicquot Club Eskimos to the rise of the jingle, the postwar upsurge in consumerism, and the more complete fusion of popular music and consumption in the 1980s and after. The Sounds of Capitalism is the first book to tell truly the history of music used in advertising in the United States and is an original contribution to this little-studied part of our cultural history.
Wide-ranging and astute, The Sounds of Place explores high art music's role in the making of national myth and memory.
From the onset, administrators and artists debated whether to represent highbrow, popular, or folk music in FMP activities. Though the administration privileged using "good" music to educate the public, in the West local preferences regularly trumped national priorities and allowed diverse vernacular musics to be heard. African American and Hispanic music found unprecedented popularity while the cultural mosaic illuminated by American folksong exemplified the spirit of the Popular Front movement. These new musical expressions combined the radical sensibilities of an invigorated Left with nationalistic impulses. At the same time, they blended traditional patriotic themes with an awareness of the country's varied ethnic musical heritage and vast--but endangered--store of grassroots music.
This classic report originally appeared as a series of articles in the Nation between July 8, 1865, and April 11, 1866. Dennett traveled in seven states—Virginia, North Carolina, South Carolina, Georgia, Alabama, Louisiana, and Mississippi—at the very beginning of Reconstruction. His remarkably prophetic account of the recently defeated South is a major source for the history of this transition.
In South Carolina Provincials: Loyalists in British Service During the American Revolution, historian Jim Piecuch provide the first comprehensive history of those South Carolinians who took up arms to assist the British during their attempt to quell the rebellion in the South. Based on primary source research including records rarely consulted, the result provides a much clearer picture of the American Revolution at the local level in Georgia, Florida, and the Carolinas.
In South of Pico Kellie Jones explores how the artists in Los Angeles's black communities during the 1960s and 1970s created a vibrant, productive, and engaged activist arts scene in the face of structural racism. Emphasizing the importance of African American migration, as well as L.A.'s housing and employment politics, Jones shows how the work of black Angeleno artists such as Betye Saar, Charles White, Noah Purifoy, and Senga Nengudi spoke to the dislocation of migration, L.A.'s urban renewal, and restrictions on black mobility. Jones characterizes their works as modern migration narratives that look to the past to consider real and imagined futures. She also attends to these artists' relationships with gallery and museum culture and the establishment of black-owned arts spaces. With South of Pico, Jones expands the understanding of the histories of black arts and creativity in Los Angeles and beyond.
Ege focuses on composers like Florence Price, Nora Holt, and Margaret Bonds not as anomalies but as artists within an expansive cultural flowering. Overcoming racism and sexism, Black women practitioners instilled others with the skill and passion to make classical music while Race women like Maude Roberts George, Estella Bonds, Neota McCurdy Dyett, and Beulah Mitchell Hill built and fostered institutions central to the community. Ege takes readers inside the backgrounds, social lives, and female-led networks of the participants while shining a light on the scene’s audiences, supporters, and training grounds. What emerges is a history of Black women and classical music in Chicago and the still-vital influence of the world they created.
A riveting counter to a history of silence, South Side Impresarios gives voice to an overlooked facet of the Black Chicago Renaissance.
The South Slavs of Michigan—Slovenes, Croats, Serbs, Macedonians, and Bosnian Muslims—are a microcosm of the immigration waves of southern and eastern Europeans who came to the United States between 1880 and 1924. History has almost forgotten these immigrants, who were instrumental in developing the large urban centers of Michigan and the United States, and who specifically contributed to development of the auto industry and struck in 1913–1914 for better working conditions in the copper mines of the Upper Peninsula. While labor problems were the primary obstacles confronting Michigan’s South Slavs, the painful process of acculturation has since dimmed their very real accomplishments. As Daniel Cetinich shows, South Slavs helped shape both a regional and national civilization in North America with their hands, backs, feet, and the labor organizations they helped create.
Covering 19 years of excavations, this volume provides an invaluable collection of Moore's pioneering archaeological investigations along Alabama's waterways.
In 1996, The University of Alabama Press published The Moundville Expeditions of Clarence Bloomfield Moore, which covered a large part of Moore's early archaeological expeditions to the state of Alabama. This volume collects the balance of Moore's Alabama expeditions, with the exception of those Moore made along the Tennessee River, which will be collected in another, forthcoming volume focusing on the Tennessee basin.
This volume includes:
Certain Aboriginal Remains of the Alabama River (1899);
Certain Aboriginal Remains of the Tombigbee River(1901);
a portion of Certain Aboriginal Remains of the Northwest Florida Coast (1901);
The So-Called "Hoe-Shaped Implement" (1903);
Aboriginal Urn-Burial in the United States (1904);
A Form of Urn-Burial on Mobile Bay (1905);
Certain Aboriginal Remains of the Lower Tombigbee River (1905);
Certain Aboriginal Remains on Mobile Bay and on Mississippi Sound (1905);
a portion of Mounds of the Lower Chattahoochee and Lower Flint Rivers (1907);
a portion of The Northwest Florida Coast Revisited(1918).
Craig Sheldon's comprehensive introduction focuses both on the Moore expeditions and on subsequent archaeological excavations at
sites investigated by Moore. Sheldon places Moore's archaeological work in the context of his times and against the backdrop of similar investigations in the Southeast. Sheldon discusses practical matters, such as the various assistants Moore employed and their roles in these historic expeditions. He provides brief vignettes of daily life on the Gopher and describes Moore's work habits, revealing professional and personal biographical details previously unknown about this enigmatic archaeologist.
The sweeping success of the conservative takeover—based on enforcing doctrinal fidelity, especially on issues like biblical inerrancy and so-called complementarianism, a rejection of modern, secular values, and advanced international missionary work—veiled a weakness at its very heart. By the turn of the twenty-first century, the conservative resurgence failed to attract new members and, even worse, the younger generation who had grown up in the SBC were fleeing the denomination—nearly half of them are leaving the church as adults and never coming back. The contributors to this volume all offer insights into the question of why. While conservatives dominate the SBC’s governance, they have failed to resolve issues that preoccupy its members and the larger society, including those related to gender, homosexuality, race, and abuse.
The essays are grouped under four broad categories: Truth and Freedom: Baptist Institutions and Contentious Issues; Defining and Defending Biblical Truth: Staking the Boundaries; Apologies, Reconciliation, and Continuing Reality; and the View from Outside. With an introduction by editor Keith Harper contextualizing the history of the movement and the issues it faces today, this collection is sure to add new insight into this influential denomination.
A Southern Boy in Blue is Woodcock's own account of his experiences during the war. After joining the 9th Kentucky Infantry, Woodcock barely missed the battle of Shiloh—a bout of measles kept him from the front lines—but he went on to see action at Stones River, Chickamauga, and Missionary Ridge. He also participated in the Atlanta campaign and the siege of Corinth and was among the reserves at the battle of Perryville. In three years he rose from the rank of private to that of first lieutenant. Since Woodcock wrote his memoir in 1865 (instead of much later as many veterans did), his descriptions of battles, camp life, and period politics have a special vividness. Woodcock's account is also significant in showing how his views and opinions of the war changed over time. Initially opposed to the use of black troops and to Lincoln's re-election, he eventually converted to both positions and describes the process by which he transformed his thinking.
Woodcock's memoir has been meticulously annotated by Kenneth Noe, who also provides an introduction that places Woodcock's experiences in historical context and describes his postwar career as a prominent Tennessee legislator, attorney, business administrator, and Baptist layman. The book is not only a compelling personal account but an important addition to the literature on Southern Unionism.
The Editor: Kenneth W. Noe is associate professor of history at West Georgia College. He is the author of Southwest Virginia's Railroad: Modernization and the Sectional Crisis.
Hill’s landmark work in southern religious history returns to print updated and expanded—and compellingly relevant.
In Southern Churches in Crisis Revisited, which reprints the 1966 text in full, Hill reexamines his earlier predictions in an introductory essay that also describes how the study of religion in the South has become a major field of scholarly inquiry. Hill skillfully engages his critics by integrating new perspectives and recent scholarship. He suggests new areas for exploration and provides a selected bibliography of key studies in southern religious history published in the three decades subsequent to the original appearance of this groundbreaking work.
These essays demonstrate how various combinations of research strategies, conceptual frameworks, and data can afford a new look at a geographical area and its settlement. The contributors offer views on the evolution of backcountry communities by addressing such topics as migration, kinship, public institutions, transportation and communications networks, land markets and real estate claims, and the role of agricultural development in the emergence of a regional economy. In their discussions of individuals in the backcountry, they also explore the multiracial and multiethnic character of southern frontier society.
Yielding new insights unlikely to emerge under a single disciplinary analysis, The Southern Colonial Backcountry is a unique volume that highlights the need for interdisciplinary approaches to the backcountry while identifying common research problems in the field.
The Editors: David Colin Crass is the archaeological services unit manager at the Historic Preservation Division, Georgia Department of Natural Resources.
Steven D. Smith is the head of the Cultural Resources Consulting Division of the South Carolina Institute of Archaeology and Antrhopology.
Martha A. Zierden is curator of historical archaeology at The Charleston Museum.
Richard D. Brooks is the administrative manager of the Savannah River Archeological Research Program, South Carolina Institute of Archaeology and Antrhopology.
The Contributors: Monica L. Beck, Edward Cashin, Charles H. Faulkner, Elizabeth Arnett Fields, Warren R. Hofstra, David C. Hsiung, Kenneth E. Lewis, Donald W. Linebaugh, Turk McCleskey, Robert D. Mitchell, Michael J. Puglisi, Daniel B. Thorp.
In sharp contrast to many long-standing presumptions about mistrust or animosity between these two groups, this study proposes that Catholic and Protestant interactions in the South were characterized more by cooperation than by conflict.
These petitions, filed by slaveholders and nonslaveholders, slaves and free blacks, women and men, abolitionists and staunch defenders of slavery, constitute a uniquely important primary source. Petitioners were compelled to present the most accurate and fully documented case they could, since their claims would be subject to public scrutiny and legal verification. Unlike the many reminiscences and autobiographies of the period, these petitions record with great immediacy and minute detail the dynamics, common understandings, and legal restrictions and parameters that shaped southern society during this period.
Arranged chronologically, with their original spelling and idiosyncratic phraseology intact, these documents reveal the grim and brutal nature of human bondage, the fears of whites who lived among large concentrations of blacks, and the workings of the complicated legal system designed to control blacks. They tell about the yearning of bondspeople to gain their freedom, the attitudes of freed blacks who were forced to leave the South, and the efforts of African Americans to overcome harsh and restrictive laws. They also underscore the unique situation of free women of color and the reliance of manumitted (formally freed) blacks on their former owners for protection, travel passes, guardianship papers, and reference letters.
Astonishingly intimate and frank,The Southern Debate over Slavery illuminates how slavery penetrated nearly every aspect of southern life and how various groups of southerners responded to the difficulties they confronted as a result of living in a slave society.
An incomparably rich source of period information, the second volume of The Southern Debate over Slavery offers a representative and extraordinary sampling of the thousands of petitions about issues of race and slavery that southerners submitted to county courts between the American Revolution and Civil War. These petitions, filed by slaveholders and nonslaveholders, slaves and free blacks, women and men, abolitionists and staunch defenders of slavery, constitute a uniquely important primary source. The collection records with great immediacy and minute detail the dynamics and legal restrictions that shaped southern society.
Using thorough and stark statistics, Kennedy describes a South emerging from World War II, coming to grips with the racism and feudalism that had held it back for generations. He includes an all-out Who’s Who, based on his own undercover investigations, of the "hate-mongers, race-racketeers, and terrorists who swore that apartheid must go on forever." The first paperback edition brings to a new generation of readers Kennedy’s searing profile of Dixie before the civil rights movement.
Inspired by Bey’s 2017 Chicago Architecture Biennial exhibition, Southern Exposure visits sixty sites, including lesser-known but important work by luminaries such as Jeanne Gang, Frank Lloyd Wright, and Eero Saarinen, as well as buildings by pioneering black architects such as Walter T. Bailey, John Moutoussamy, and Roger Margerum.
Pushing against the popular narrative that depicts Chicago’s South Side as an architectural wasteland, Bey shows beautiful and intact buildings and neighborhoods that reflect the value—and potential—of the area. Southern Exposure offers much to delight architecture aficionados and writers, native Chicagoans and guests to the city alike.
For decades, Rex Nelson has been traveling Arkansas. He learned to love the back roads, small towns, and people of the state while going on trips with his father, who sold athletic supplies to high schools. They sat in old Depression-era gyms built by the Works Progress Administration, ate in small-town cafes, and waded in streams on warm spring days.
Throughout his career as a sportswriter, political writer, senior staff member in the governor’s office, presidential appointee to the Delta Regional Authority, and now corporate communications director for Simmons Bank, Nelson has written millions of words about Arkansas and its people.
In this collection of columns from the Arkansas Democrat-Gazette, Nelson brings to life the personalities, communities, festivals, and tourist attractions that make Arkansas unique. As he says, “Arkansas is a hard place to explain to outsiders. We’re mostly Southern but also a bit Midwestern and a tad Southwestern. The Ozarks are different from the pine woods of the Gulf Coastal Plain, and the Delta is different from the Ouachitas. Invariably, though, those who take the time to get off the main roads and get to know the real Arkansas are entranced by the place.”
A classic resource on the struggle for dominance in southern North America during the colonial period
This volume recounts the clashes and intrigues that played out over the landscape of the Old Southwest and across six decades as the Spanish, French, British, and ultimately Americans vied for control. Rivalry began soon after initial discovery, mapping, and exploration as the world powers, particularly England and France, competed for control of the lucrative fur trade in the Mississippi valley. The French attempted to establish trade networks stretching from the Atlantic Ocean inland to the Mississippi River and northward from ports on the Gulf of Mexico to the Ohio River. But they found the British already entrenched there.
Verner Crane guides us through this multinational struggle and navigates the border wars and diplomatic intrigues that played crucial roles in the settlement of the South by Euro-Americans. In his new introduction, Steven Hahn places the work in the context of its time, sketches its publication history, and provides biographical information on Crane.
W. J. Cash's 1941 observation that “there are many Souths and many cultural traditions among them” is certainly validated by this book. Although the Civil War and its “lost cause” tradition continues to serve as a cultural root paradigm in celebrations, both uniting and dividing loyalties, southerners also embrace a panoply of public rituals—parades, cook-offs, kinship homecomings, church assemblies, music spectacles, and material culture exhibitions—that affirm other identities. From the Appalachian uplands to the Mississippi Delta, from Kentucky bluegrass to Carolina piedmont, southerners celebrate in festivals that showcase their diverse cultural backgrounds and their mythic beliefs about themselves.
The ten essays of this cohesive, interdisciplinary collection present event-centered research from various fields of study—anthropology, geography, history, and literature—to establish a rich, complex picture of the stereotypically “Solid South.” Topics include the Mardi Gras Indian song cycle as a means of expressing African-American identity in New Orleans; powwow performances and Native American traditions in southeast North Carolina; religious healings in southern Appalachian communities; Mexican Independence Day festivals in central Florida; and, in eastern Tennessee, bonding ceremonies of melungeons who share Indian, Scots Irish, Mediterranean, and African ancestry. Seen together, these public heritage displays reveal a rich “creole” of cultures that have always been a part of southern life and that continue to affirm a flourishing regionalism.
This book will be valuable to students and scholars of cultural anthropology, American studies, and southern history; academic and public libraries; and general readers interested in the American South. It contributes a vibrant, colorful layer of understanding to the continuously emerging picture of complexity in this region historically depicted by simple stereotypes.
Between 1880 and 1930, close to 200 women were murdered by lynch mobs in the American South. Many more were tarred and feathered, burned, whipped, or raped. In this brutal world of white supremacist politics and patriarchy, a world violently divided by race, gender, and class, black and white women defended themselves and challenged the male power brokers. Crystal Feimster breaks new ground in her story of the racial politics of the postbellum South by focusing on the volatile issue of sexual violence.
Pairing the lives of two Southern women—Ida B. Wells, who fearlessly branded lynching a white tool of political terror against southern blacks, and Rebecca Latimer Felton, who urged white men to prove their manhood by lynching black men accused of raping white women—Feimster makes visible the ways in which black and white women sought protection and political power in the New South. While Wells was black and Felton was white, both were journalists, temperance women, suffragists, and anti-rape activists. By placing their concerns at the center of southern politics, Feimster illuminates a critical and novel aspect of southern racial and sexual dynamics. Despite being on opposite sides of the lynching question, both Wells and Felton sought protection from sexual violence and political empowerment for women.
Southern Horrors provides a startling view into the Jim Crow South where the precarious and subordinate position of women linked black and white anti-rape activists together in fragile political alliances. It is a story that reveals how the complex drama of political power, race, and sex played out in the lives of Southern women.
Chapters reflect on SIU’s successful athletics program, the various colleges and departments within the university, the diverse holdings and collections of the library, the unique innovative research enterprises, and special programs such as the Paul Simon Public Policy Institute and Touch of Nature Environmental Center.
Although SIU may be a typical large public university in many ways, its unique location, history, and culture have made it a distinct institution of higher education. Located close to the Shawnee National Forest and Giant City State Park, the landscape is an indelible part of SIU, contributing to both the beauty of the university grounds and the campus culture.
The university’s sesquicentennial provides a wonderful opportunity to revisit all that makes SIU amazing. Illustrated with 306 photographs of theater and music performances, art, sports, past and present students, faculty, staff, administration, politicians, community members, successful alums, distinguished visitors, and patrons of the university buildings, and landscapes, Southern Illinois University at 150 Years captures the university’s story in all its vivid color.
On September 28, 1863, the Galveston Tri-Weekly News caught its readers' attention with an item headlined "A Yankee Note-Book." It was the first installment of a diary confiscated from U.S. Marine Henry O. Gusley, who had been captured at the Battle of Sabine Pass. Gusley's diary proved so popular with readers that they clamored for more, causing the newspaper to run each excerpt twice until the whole diary was published. For many in Gusley's Confederate readership, his diary provided a rare glimpse into the opinions and feelings of an ordinary Yankee—an enemy whom, they quickly discovered, it would be easy to regard as a friend.
This book contains the complete text of Henry Gusley's Civil War diary, expertly annotated and introduced by Edward Cotham. One of the few journals that have survived from U.S. Marines who served along the Gulf Coast, it records some of the most important naval campaigns of the Civil War, including the spectacular Union success at New Orleans and the embarrassing defeats at Galveston and Sabine Pass. It also offers an unmatched portrait of daily life aboard ship. Accompanying the diary entries are previously unpublished drawings by Daniel Nestell, a doctor who served in the same flotilla and eventually on the same ship as Gusley, which depict many of the locales and events that Gusley describes.
Together, Gusley's diary and Nestell's drawings are like picture postcards from the Civil War—vivid, literary, often moving dispatches from one of "Uncle Sam's nephews in the Gulf."
Winner of the Charles S. Sydnor Award, given by the Southern Historical Association, 1994. Winner of the James A. Rawley Prize given by the Organization of American Historians, 1994. Winner of the Herbert G. Gutman Award for an outstanding book in American social history.
Southern out-migration drew millions of southern workers to the steel mills, automobile factories, and even agricultural fields and orchards of Ohio, Indiana, Michigan, and Illinois. Through vivid oral histories, Chad Berry explores the conflict between migrants' economic success and their "spiritual exile" in the North. He documents the tension between factory owners who welcomed cheap, naive southern laborers and local "native" workers who greeted migrants with suspicion and hostility. He examines the phenomenon of "shuttle migration," in which migrants came north to work during the winter and returned home to plant spring crops on their southern farms. He also explores the impact of southern traditions--especially the southern evangelical church and "hillbilly" music--brought north by migrants.
Berry argues that in spite of being scorned by midwesterners for violence, fecundity, intoxication, laziness, and squalor, the vast majority of southern whites who moved to the Midwest found the economic prosperity they were seeking. By allowing southern migrants to assess their own experiences and tell their own stories, Southern Migrants, Northern Exiles refutes persistent stereotypes about migrants' clannishness, life-style, work ethic, and success in the North.
Now little recognized by their neighbors, Southern Paiutes once had homelands that included much of the vast Colorado Plateau, Great Basin, and Mojave Desert. From the Four Corners’ San Juan River to California’s lower Colorado, from Death Valley to Canyonlands, from Capitol Reef to the Grand Canyon, Paiutes lived in many small, widespread communities. They still do, but the communities are fewer, smaller, and mostly deprived of the lands and resources that sustained traditional lives.
To portray a people and the individuals who comprise it, William Logan Hebner and Michael L. Plyler relay Paiute voices and reveal Paiute faces, creating a space for them to tell their stories and stake claim to who they once were and now are.
Since the Civil War whites and blacks have struggled over the meanings and uses of the Southern past. Indeed, today’s controversies over flying the Confederate flag, renaming schools and streets, and commemorating the Civil War and the civil rights movement are only the latest examples of this ongoing divisive contest over issues of regional identity and heritage. The Southern Past argues that these battles are ultimately about who has the power to determine what we remember of the past, and whether that remembrance will honor all Southerners or only select groups.
For more than a century after the Civil War, elite white Southerners systematically refined a version of the past that sanctioned their racial privilege and power. In the process, they filled public spaces with museums and monuments that made their version of the past sacrosanct. Yet, even as segregation and racial discrimination worsened, blacks contested the white version of Southern history and demanded inclusion. Streets became sites for elaborate commemorations of emancipation and schools became centers for the study of black history. This counter-memory surged forth, and became a potent inspiration for the civil rights movement and the black struggle to share a common Southern past rather than a divided one.
W. Fitzhugh Brundage’s searing exploration of how those who have the political power to represent the past simultaneously shape the present and determine the future is a valuable lesson as we confront our national past to meet the challenge of current realities.
The Reconstruction Era—the years immediately following the Civil War when Congress directed the reintegration of the former Confederate states into the Union—remains, as historian Eric Foner suggests, “America’s unfinished revolution.” But Reconstruction is more than a story of great racial injustice; it has left a complex legacy involving both blacks and whites, Southerners and Northerners, that is reflected today by the fact that many of the states with the highest rates of poverty were part of the former Confederacy. In Southern Reconstruction, Philip Leigh examines Federal wartime legislation in order to broaden our understanding of Reconstruction, revealing how it led to African Americans being used as political pawns, first to ensure continued Republican rule, and finally to be blamed for the South’s hardships in order to draw poor whites away from Populism and back to the aristocratic white Democratic banner.
Civil War laws, such as the Confiscation Acts, Pacific Railroad Acts, Homestead Act, Legal Tender Act, National Banking Act, and Veterans Pensions Acts, transformed America’s banking system, built a railroad web, and launched the Gilded Age in the North and West, but it also created a dubious alliance between banks and government, sparked corruption, purposely depressed Southern industry, trapped Southern farmers—both black and white—in endless annual peonage cycles, and failed to provide lands for freedmen. While Reconstruction was intended to return the South to the Union, it could not be effective with laws that abetted Southern poverty, disfranchised many whites, fostered racial animosity to a point where lynchings and Jim Crow laws erupted, and lined the pockets of wealthy or politically well-connected business leaders outside of the region.
Originally published in a limited edition in 1866, this memoir of Will Tunnard’s experiences and observations of the Civil War in the West, where he served in the famed Third Louisiana Infantry, is one of only a handful of chronicles left by western Confederate soldiers. His first-person account of the battles of Wilson’s Creek, Pea Ridge, Iuka, and Corinth as well as the seige of Vicksburg, is a vivid history of these hard-fought campaigns which determined the outcome of the war in the Trans-Mississippi theater.
Using letters and diaries assembled from former comrades as well as his own daily journal, Tunnard tells the story of his regiment and its extraordinary odyssey from the Gulf of Mexico to the Ozark Plateau and from the Indian Territory to Mobile Bay. He offers an extensive and valuable account of capture and parole at Vicksburg and includes muster rolls which will interest genealogists as well as Civil War scholars and history enthusiasts. With a clear eye for detail and an engaging, objective style, Tunnard conveys the pathos of war and recounts the trials of camp life, social conditions, and the war’s affect on the civilian population.
Noted Civil War scholar William L. Shea supports the original text with background on the regiment and the time period, sketching a helpful chronology of events. In retelling this remarkable story of comradeship, hardship, endurance, courage, pride, and eventual defeat, Tunnard and Shea give modern readers a rare glimpse of the war in the West.
Throughout its dramatic history, the American South has wrestled with issues such as poverty, social change, labor reform, civil rights, and party politics, and Flynt’s writing reaffirms religion as the lens through which southerners understand and attempt to answer these contentious questions. In Southern Religion and Christian Diversity in the Twentieth Century, however, Flynt gently but persuasively dispels the myth—comforting to some and dismaying to others—of religion in the South as an inert cairn of reactionary conservatism.
Flynt introduces a wealth of stories about individuals and communities of faith whose beliefs and actions map the South’s web of theological fault lines. In the early twentieth century, North Carolinian pastor Alexander McKelway became a relentless crusader against the common practice of child labor. In 1972, Rev. Dr. Ruby Kile, in a time of segregated churches led by men, took the helm of the eight-member Powderly Faith Deliverance Center in Jefferson County, Alabama and built the fledgling group into a robust congregation with more than 700 black and white worshippers. Flynt also examines the role of religion in numerous pivotal court cases, such as the US Supreme Court school prayer case Engel v. Vitale, whose majority opinion was penned by Justice Hugo Black, an Alabamian. These fascinating case studies and many more illuminate a religious landscape of far more varied texture and complexity than is commonly believed.
Southern Religion and Christian Diversity in the Twentieth Century offers much to readers and scholars interested in the South, religion, and theology. Writing with his hallmark wit, warmth, and erudition, Flynt’s Southern Religion and Christian Diversity in the Twentieth Century is a vital record of gospel-inspired southerners whose stories revivify sclerotic assumptions about the narrow conformity of southern Christians.
The nine essays that comprise Southern Society and Its Transformations explore new territory in the study of the slave-era South, conveying how modernization took shape across the region and exploring the social processes involved in its economic developments. The book is divided into four parts, each analyzing a different facet of white southern life. The first outlines the legal dimensions of race relations, exploring the effects of lynching and the significance of Georgia’s vagrancy laws. Part II presents the advent of the market economy and its effect on agriculture in the South, including the beginning of frontier capitalism. The third section details the rise of a professional middle class in the slave era and the conflicts provoked. The book’s last section deals with the financial aspects of the transformation in the South, including the credit and debt relationships at play and the presence of corporate entrepreneurship.
Between the dawn of the nation and the Civil War, constant change was afoot in the American South. Scholarship has only begun to explore these progressions in the past few decades and has given too little consideration to the economic developments with respect to the working-class experience. These essays show that a new generation of scholars is asking fresh questions about the social aspects of the South’s economic transformation. Southern Society and Its Transformations is a complex look at how whole groups of traditionally ignored white southerners in the slave era embraced modernizing economic ideas and actions while accepting a place in their race-based world. This volume will be of interest to students of Southern and U.S. economic and social history.
Somers was fifty-eight years of age when he landed in America in the fall of 1870. His long-time newspaper career and his interest in social and economic matters had prepared him in a very special way to study the South, where the whole way of life had been so lately wracked by war. He was a keen and objective observer, modest and restrained in criticism and praise. On the whole he was optimistic for the future of the South. Although apparently a Southern sympathizer during the War, he was able to subordinate this sympathy and give a fair, detached, and balanced appraisal of economic life, politics and race relations. His interest in politics was confined in the main to their effect on the economic and social phases of the South's welfare.
Since his trip to America was not sponsored by “any Association, mercantile or political,” he was at liberty to record conditions as he saw them. Many of the accounts of conditions in the South in this period may be classified as promotional literature. State bureaus of immigration and agriculture, land companies, railroads and other interested groups hired agents to make favorable reports on cheap lands, on opportunities for industrial enterprise, deposits of minerals and the existence of other natural resources. They exaggerated economic opportunities and favorable political, cultural, and social conditions. Somers, on the other hand, was a true traveler, in the pay of no organization and with no axe to grind. He was particularly interested in economic and social matters: cotton and sugar culture, Negroes, railroads, natural resources, labor, industry, immigration and education. Since an analysis of the South’s economy was Somers’ major objective, his book made an extraordinarily valuable contribution to the history of the South during Reconstruction.
Southern Womanhood and Slavery is the first full-length biography of Louisa S. McCord, one of the most intriguing intellectuals in antebellum America. The daughter of South Carolina planter and politician Langdon Cheves, and an essayist in her own right, McCord supported unregulated free trade and the perpetuation of slavery and opposed the advancement of women’s rights. This study examines the origins of her ideas.
Leigh Fought constructs an exciting narrative that follows McCord from her childhood as the daughter of a state representative and president of the Bank of the United States through her efforts to accept her position as wife and mother, her career as an author and plantation mistress, and the Union invasion of South Carolina during the Civil War, to the end of her life in the emerging New South. Fought analyzes McCord’s poetry, letters, and essays in an effort to comprehend her acceptance of slavery and the submission of women. Fought concludes that McCord came to a defense of slavery through her experience with free labor in the North, which also reinforced her faith in the paternalist model for preserving social order.
McCord’s life as a writer on “unfeminine” subjects, her reputation as strong-minded and masculine, her late marriage, her continued ownership of her plantation after marriage, and her position as the matron of a Civil War hospital contradicted her own philosophy that women should remain the quiet force behind their husbands. She lived during a time of social flux in which free labor, slavery, and the role of women underwent dramatic changes, as well as a time that enabled her to discover and pursue her intellectual ambitions. Fought examines the conflict that resulted when those ambitions clashed with McCord’s role as a woman in the society of the South.
McCord’s voice was an interesting, articulate, and necessary feminine addition to antebellum white ideology. Moreover, her story demonstrates the ways in which southern women negotiated through patriarchy without surrendering their sense of self or disrupting the social order. Engaging and very readable, Southern Womanhood and Slavery will be of special interest to students of southern history and women’s studies, as well as to the general reader.
evolving collective memory by penning journals and diaries, historical accounts, memoirs,
and literary interpretations of the war. While a few of these writings—most notably Mary
Chesnut’s diaries and Margaret Mitchell’s novel, Gone with the Wind—have been studied in
depth by numerous scholars, until now there has been no comprehensive examination of
Civil War novels by southern women. In this welcome study, Sharon Talley explores works
by fifteen such writers, illuminating the role that southern women played in fashioning
cultural identity in the region.
Beginning with Augusta Jane Evans’s Macaria and Sallie Rochester Ford’s Raids and
Romance of Morgan and His Men, which were published as the war still raged, Talley offers
a chronological consideration of the novels with informative introductions for each time
period. She examines Reconstruction works by Marion Harland, Mary Ann Cruse, and
Rebecca Harding Davis, novels of the “Redeemed” South and the turn of the century by
Mary Noailles Murfree, Ellen Glasgow, and Mary Johnston, and narratives by Evelyn Scott,
Margaret Mitchell, and Caroline Gordon from the Modern period that spanned the two
World Wars. Analysis of Margaret Walker’s Jubilee (1966), the first critically acclaimed Civil
War novel by an African American woman of the South, as well as other post–World War
II works by Kaye Gibbons, Josephine Humphreys, and Alice Randall, offers a fitting conclusion
to Talley’s study by addressing the inaccuracies in the romantic myth of the Old South
that Gone with the Wind most famously engraved on the nation’s consciousness.
Informed by feminist, poststructural, and cultural studies theory, Talley’s close readings
of these various novels ultimately refute the notion of a monolithic interpretation of
the Civil War, presenting instead unique and diverse approaches to balancing “fact” and
“fiction” in the long period of artistic production concerning this singular traumatic event
in American history.
Sharon Talley, professor of English at Texas A&M University–Corpus Christi, is the author
of Ambrose Bierce and the Dance of Death and Student Companion to Herman Melville. Her
articles have appeared in American Imago, Journal of Men’s Studies, and Nineteenth-Century
Prose.
Spartanburg County, South Carolina, offered an example of the enduring legacy of the southern textile industry, company-owned mill villages, and union struggles of the 1930s. G. C. Waldrep illuminates the complex meshing of community ties and traditions with the goals and ideals of unionism. Unions aligned with a social vision of mutuality, equality, and interdependency already established in mill villages. But because companies owned the villages, labor conflicts involved not only work issues like wages and hours but virtually every other aspect of life. In documenting the high stakes of labor protest, Waldrep shows how the erosion or outright destruction of community undermined the ability of workers to respond to the assaults of employers overwhelmingly supported by government agencies and agents.
Beautifully written and persuasively argued, Southern Workers and the Search for Community opens the gates of southern company towns to illuminate the human issues behind the mechanics of labor.
American mariners made more than 175 voyages to the Northwest Coast during the half-century after the ships Columbia and Washington pioneered the route from Boston in 1787. Although obtaining sea otter pelts for the China trade was the original purpose of the voyages, the art and culture of Northwest Coast Indians so intrigued and fascinated American sailors that the collecting of ethnographic artifacts became an important secondary trade. The Indians traded masks, hats, paddles, pipes, fishhooks, spoons, clothing, and canoe models from their canoes to the decks of Yankee vessels.
In this act of exchange, the artifacts moved from one world to another—first to shipboard, and later to the “cabinets of curiosities” of learned societies in Massachusetts, where many of them found homes. The objects were the first examples of Northwest Coast Indian material culture to enter American museums, and they influenced perceptions of Northwest Coast Indian people and their complex cultures.
By carefully researching the records of ten institutions and the shipboard journals of more than a dozen mariners, Mary Malloy has brought details about these early collections together for the first time. From utilitarian objects to artistic masterpieces, these souvenirs tell a story of commerce and cultural exchange that reached across the continent during the period when Americans were first beginning to look westward.
This landmark collection strives to reflect the complexity of identities within Native Gay, Lesbian, Bisexual, Transgender, Queer, and Two-Spirit (GLBTQ2) communities. Gathering together the work of established writers and talented new voices, this anthology spans genres (fiction, nonfiction, poetry, and essay) and themes (memory, history, sexuality, indigeneity, friendship, family, love, and loss) and represents a watershed moment in Native American and Indigenous literatures, Queer studies, and the intersections between the two.
Collaboratively, the pieces in Sovereign Erotics demonstrate not only the radical diversity among the voices of today’s Indigenous GLBTQ2 writers but also the beauty, strength, and resilience of Indigenous GLBTQ2 people in the twenty-first century.
Contributors: Indira Allegra, Louise Esme Cruz, Paula Gunn Allen, Qwo-Li Driskill, Laura Furlan, Janice Gould, Carrie House, Daniel Heath Justice, Maurice Kenny, Michael Koby, M. Carmen Lane, Jaynie Lara, Chip Livingston, Luna Maia, Janet McAdams, Deborah Miranda, Daniel David Moses, D. M. O’Brien, Malea Powell, Cheryl Savageau, Kim Shuck, Sarah Tsigeyu Sharp, James Thomas Stevens, Dan Taulapapa McMullin, William Raymond Taylor, Joel Waters, and Craig Womack
Jeffrey Sklansky’s wide-ranging study comprises three chronological parts devoted to major episodes in the career of the money question. First, the fight over the innovation of paper money in colonial New England. Second, the battle over the development of commercial banking in the new United States. And third, the struggle over the national banking system and the international gold standard in the late nineteenth century. Each section explores a broader problem of power that framed each conflict in successive phases of capitalist development: circulation, representation, and association. The three parts also encompass intellectual biographies of opposing reformers for each period, shedding new light on the connections between economic thought and other aspects of early American culture. The result is a fascinating, insightful, and deeply considered contribution to the history of capitalism.
Drawing on anthropology, political theory, philosophy, psychoanalysis, and theater, William Mazzarella, Eric L. Santner, and Aaron Schuster show how politics in the age of Trump functions by mobilizing a contradictory and convoluted enjoyment, an explosive mixture of drives and fantasies that eludes existing portraits of our era. The current political moment turns out to be not so much exceptional as exceptionally revealing of the constitutive tension between enjoyment and economy that has always been a key component of the social order. Santner analyzes the collective dream-work that sustains a new sort of authoritarian charisma or mana, a mana-facturing process that keeps us riveted to an excessively carnal incorporation of sovereignty. Mazzarella examines the contemporary merger of consumer brand and political brand and the cross-contamination of politics and economics, warning against all too easy laments about the corruption of politics by marketing. Schuster, focusing on the extreme theatricality and self-satirical comedy of the present, shows how authority reasserts itself at the very moment of distrust and disillusionment in the system, profiting off its supposed decline. A dazzling diagnostic of our present, Sovereignty, Inc., forces us to come to terms with our complicity in Trump’s political presence and will immediately take its place in discussions of contemporary politics.
This is a study of the strategic challenges that Soviet ballistic missile defense (BMD) programs may pose for the Western alliance. David Yost suggests that the challenges for Western policy stem partly from Soviet military programs, Soviet arms control policies, and Soviet public diplomacy campaigns, and partly from the West’s own intra-alliance disagreements and lack of consensus about Western security requirements.
By reviewing the history of Western assessments of Soviet BMD, Yost shows that long before the American strategic defense initiative (SDI) was launched, Soviet BMD system modernization and infrastructure expansion were well under way, and that current Soviet programs are not mainly reactive to the SDI. Yost judges that the Soviets are probably better prepared than the Americans to deploy a network of traditional, ground-based BMD systems that would have at least some military value in the next decade, particularly against the limited and selective retaliatory attacks envisaged in NATO strategy. He does not argue that the Soviets are preparing for a clear-cut “breakout” from current arms control limits on BMD, but he notes the risks posed by activities that could eventually amount to a “creepout” from certain treaty constraints. Because of such ambiguities and the seriousness of the strategic and political stakes, the West should be prepared to pursue any necessary countermeasures in a timely fashion. His aim in this book is to advance understanding of the possible strategic challenges to the West and to identify potential points of consensus for Western policies.
During the Cold War, the political leadership of the Soviet Union avidly sought intelligence about its main adversary, the United States. Although effective on an operational level, Soviet leaders and their intelligence chiefs fell short when it came to analyzing intelligence. Soviet leaders were often not receptive to intelligence that conflicted with their existing beliefs, and analysts were reluctant to put forward assessments that challenged ideological orthodoxy.
There were, however, important changes over time. Ultimately the views of an enlightened Soviet leader, Gorbachev, trumped the ideological blinders of his predecessors and the intelligence service’s dedication to an endless duel with their ideologically spawned “main adversary," making it possible to end the Cold War.
Raymond Garthoff draws on over five decades of personal contact with Soviet diplomats, intelligence officers, military leaders, and scholars during his remarkable career as an analyst, senior diplomat, and historian. He also builds on previous scholarship and examines documents from Soviet and Western archives. Soviet Leaders and Intelligence offers an informed and highly readable assessment of how the Soviets understood—and misunderstood—the intentions and objectives of their Cold War adversary.
Based on extensive archival research, Anton Weiss-Wendt reveals in detail how the political aims of the superpowers rendered the convention a weak instrument for addressing abuses against human rights. The Kremlin viewed the genocide treaty as a political document and feared repercussions. What the Soviets wanted most was to keep the subjugation of Eastern Europe and the vast system of forced labor camps out of the genocide discourse. The American Bar Association and Senate Committee on Foreign Relations, in turn, worried that the Convention contained vague formulations that could be used against the United States, especially in relation to the plight of African Americans. Sidelined in the heated discussions, Weiss-Wendt shows, were humanitarian concerns for preventing future genocides.
Moving beyond the boundaries of traditional studies of international relations, the contributors here focus on such topics as public opinion and the relationship of domestic policy to foreign policy. Other areas of consideration include the Soviet-U.S. relationship and the Third World and East Asia, the role of the United Nations in Soviet and American policy in the 1990s, international environmental protection, and the Soviet opening to nonprovocative defense. A final section concludes with policy choices for the future regarding security strategies and prospects for peace.
Contributors. Seweryn Bialer, Robert Dallek, Charles Gati, Toby Trister Gati, Colin S. Gray, Ole R. Holsti, Robert Jervis, Alexander J. Motyl, John Mueller, Eric A. Nordlinger, George H. Quester, Harold H. Sanders, Glenn E. Schweitzer, Jack Snyder, Donald S. Zagoria, William Zimmerman
Entering an immigrant, Soviet-born standpoint creates an alternative and sometimes complementary pattern of how the Eastern and Central European past and present resonate with American Jewishness. The novels, short stories, and graphic novels considered here often stage strikingly fresh variations on key older themes, including cultural geography, the memory of World War II and the Holocaust, communism, gender and sexuality, genealogy, and finally, migration. Soviet-Born demonstrates how these diasporic writers, with their critical stance toward identity categories, open up the field of what is canonically Jewish American to broader contemporary debates.
This book is also freely available online as an open-access digital edition.
The Midwest has been characterized as a fertile seedbed for the germination of great thinkers, but a wasteland for their further growth. The Sower and the Seer reveals that representation to be false. In fact, the region has sustained many innovative minds and been the locus of extraordinary intellectualism. It has also been the site of shifting interpretations—to some a frontier, to others a colonized space, a breadbasket, a crossroads, a heartland. As agrarian reformed (and Michigander) Liberty Hyde Bailey expressed in his 1916 poem “Sower and Seer,” the Midwestern landscape has given rise to significant visionaries, just as their knowledge has nourished and shaped the region.
The essays gathered for this collection examine individual thinkers, writers, and leaders, as well as movements and ideas that shaped the Midwest, including rural school consolidation, women’s literary societies, Progressive-era urban planning, and Midwestern radical liberalism. While disparate in subject and style, these essays taken together establish the irrefutable significance of the intellectual history of the American Midwest.
From 1840 to 1900, midwestern Americans experienced firsthand the profound economic, cultural, and structural changes that transformed the nation from a premodern, agrarian state to one that was urban, industrial, and economically interdependent. Midwestern commercial farmers found themselves at the heart of these changes. Their actions and reactions led to the formation of a distinctive and particularly democratic consumer ethos, which is still being played out today.
By focusing on the consumer behavior of midwestern farmers, Sowing the American Dream provides illustrative examples of how Americans came to terms with the economic and ideological changes that swirled around them. From the formation of the Grange to the advent of mail-order catalogs, the buying patterns of rural midwesterners set the stage for the coming century.
Carefully documenting the rise and fall of the powerful purchasing cooperatives, David Blanke explains the shifting trends in collective consumerism, which ultimately resulted in a significant change in the way that midwestern consumers pursued their own regional identity, community, and independence.
The numbers are no less shocking in southern Arizona: one in six residents, and one in four children, are food insecure. How can this be in the richest country in the world? This book explores that paradox and the innovative solutions that one organization has developed to create a healthier, more secure tomorrow for the less fortunate among us.
The Community Food Bank of Southern Arizona (CFB) is one of the oldest and most respected food banks in America. It is a widely recognized leader not simply in providing hunger relief but in attacking the root causes of hunger and poverty through community development, education, and advocacy. In 2018, Feeding America—the national organization of food banks—named it “Food Bank of the Year.” The CFB serves as a model for all nonprofits to follow, no matter their mission.
This profusely illustrated book chronicles the CFB’s amazing success and evolution from a tiny grassroots hunger-relief organization to one with more than six thousand workers and an annual budget exceeding $100 million. The book gives voice to the thousands of CFB participants past and present, weaving their profiles and quotes throughout the book. These profiles personalize the history of the CFB and give readers an insider’s perspective on the people and events that shaped the food bank’s success. It shows how individuals working together can help prevent hunger and break the cycle of poverty that is its cause.
The aim of Sowing the Seeds of Change is not to laud the CFB’s achievements. It is to demonstrate to readers that the war against hunger, despite the obstacles, can be won. And not tomorrow. Now!
In Sown in Earth, Arroyo often roots his thoughts and feelings in place, expressing a deep connection to the small homes he inhabited in his childhood, his warm and hazy memories of his grandmother’s kitchen in Puerto Rico, the rivers and creeks he fished, and the small cafés in Madrid that inspired writing and reflection in his adult years. Swirling in romantic moments and a refined love for literature, Arroyo creates a sense of belonging and appreciation for his life despite setbacks and complex anxieties along the way.
By crafting a written journey through childhood traumas, poverty, and the impact of alcoholism on families, Fred Arroyo clearly outlines how his lived experiences led him to become a writer. Sown in Earth is a shocking yet warm collage of memories that serves as more than a memoir or an autobiography. Rather, Arroyo recounts his youth through lyrical prose to humanize and immortalize the hushed lives of men like his father, honoring their struggle and claiming their impact on the writers and artists they raised.
Space Commerce relates the story of private enterprise’s unsteady rise to prominence as a major influence on world space policy and research. The first space race proved the technological and military prowess of the two superpowers; but since the 1970s that contest has been supplanted by a multinational struggle to command the commercial opportunities of space.
The commercial space age was born in 1965 when Early Bird, the first commercial communications satellite, went into orbit. With characteristic ingenuity, American industrialists began to dream of garnering billions of dollars per year from space-based products and services. In the microgravity of space, they hoped, hitherto unavailable drugs could be produced that would revolutionize medicine; in the high vacuum of space, crystals of extreme purity could be grown in orbital laboratories, both for biological research and for application in the manufacture of advanced microcircuits.
John McLucas covers the broad sweep of space commerce, both the vision and the reality: the construction of communications satellites and their ground control stations; the sale and leasing of communications services; remote sensing and measurement of earth’s processes; navigation by satellites, serving ships, airplanes, and automobiles; the design and deployment of space laboratories for scientific research and product development; and life science experiments to determine the effects of space habitation on humans.
Drawing on his considerable expertise, McLucas brings a sober perspective to his assessment of the technological accomplishments as well as the challenges still faced by industry in space. He incorporates into his discussion an illuminating analysis of the economic and political impact of space commerce and its rapidly changing international character.
In The Space Station the story of this debate is told by Hans mark, who had major roles in the development of the space shuttle from its beginnings in the sixties and who bore a primary responsibility for overseeing the space station project during the decisive years from 1981 to 1984. Mark's appointment to the post of deputy administrator of NASA capped a career devoted to the development and management of space technology—he served as director of NASA's Ames Research Center, then as under secretary and later secretary of the U.S. Air Force. Serving under both President Carter and President Reagan, mark is uniquely able to chronicle the intricate process by which the space shuttle became a reality and the space station an acknowledged goal of the American space effort.
A scientist by training, Mark's account of his career in the space program is the story of a personal dream as well as the story of a vast public enterprise whose human side is only now being fully appreciated.
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